Art Sculptures Faces

Renowned artist George Minne (1866 – 1941) was a Belgian sculptor who carved a niche in representing non-traditional 'man'. Most His works focused on the representation of internal disharmony and strife in the life of a man. Until that time, the male representation was mainly in mythological and loving. 1900 to 1914 was the time when sculptors were trying to break with the old and embrace the new. Like his contemporaries, Minne works were the representations of modernity and captured the essence of adolescence. George's signature works include a series of knees young men, of whom "The Fountain of Youth Kneeling" is the most acclaimed sculpture.
Was first presented in 1900 in the eighth series of exhibitions. First designed in 1898, this work was produced in plaster, bronze, marble and versions. "The Fountain of Youth Knees" features five naked men young people gathered in a circle and looking at the fountain in the center. This application of the figures gained a reputation for "Fountain of Narcissus." Sculpture Minnie's is notable for its thin and angular figures kneel with the right balance in their raised platforms. These elegant structures and high turn right at the waist. The shoulders and head are also bending in the same direction. The position of the knees straight and the center of the upper torso counter the center of gravity of statues. additional balance is provided by the bottom of the legs to lie on their bases. It is not only balance but also the simple linear composition of the bodies of children indicate the geometric efficiency Minne work. The original work was launched in plaster statues have been created on the edge of the source. George displayed a masterstroke in the placement of such bending, asymmetrical shapes on the edge, with such certainty.
Young George Minne have knees folded arms till the shoulder, as if the desire to support and try to retreat from the world. With bowed heads of the youth in the contradictory thoughts, adding emotional appeal touching the work. What differentiates the work style Minne, unless the term is subtle, but powerful feelings of the deepest human. Leaving behind the perfect artistic representation of youth and vitality, youth kneeling became the protagonists of the challenges of youth contemporaries. The power of innovation and quality of restoration of "The Fountain of Youth Kneeling" is so strong that the veteran art critic Julius Meier-Graefe he called "the first sculpture of our new era."
Face Sculpture






